Ride Cymbals
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$208.60
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Sabian 22" HHX Tempest Cymbal
The 22” HHX Tempest is a multi-application cymbal with an incredible dynamic range. It has a unique look, feel and sound, with its medium thin weight and aggressive HHX hammering creating an instrument with a beautifully controlled swell when played either with stick, or mallets, making it ideal for both drum set and orchestral applications. The HHX Tempest offers tremendous light ride capabilities, delivering a warm dark undertone to the wash. Multi-application cymbal Unique look, feel, & sound Controlled swell Great light ride capabilities CYMBAL SIZE - 22" FEEL - MEDIUM WEIGHT - MEDIUM-THIN VOLUME - GENERAL TIMBRE - DARK MATERIAL - B20 Learn More -
Istanbul Agop Traditional Original Ride 22”
- 22"
- Thin Feel and Weight
- Broad Dynamic and Harmonic Range
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Zildjian 22" Z Custom Ride Cymbal
- 22"
- Heavy Weight
- Brighter Sound
- Designed For Harder Hitters
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Zildjian 21" Z Custom Mega Bell Ride
- 21"
- Largest Bell in the Zildjian Catalog
- Heavier Weight
- Bright Sound
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22” Sabian HHX BFMWORLD Ride Cymbal
- 22"
- HHX Tone Control Hammering
- Sound Control Edge
- Darker Timbre
- Medium Weight
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Sabian 20" Stratus Ride Cymbal
- 20"
- Medium Weight
- Great Articulation
- Strong Bell
Now only: $546.00
Now only: $329.99
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Sabian 22" Stratus Ride Cymbal
- 22"
- Clear Articulation
- Strong Bell
- Warm Wash
- Very Versatile
Now only: $646.00
Now only: $399.99
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20" S DARK RIDE
Well-balanced dark ride with ample stick sound, clear bell and touch of dryness for all applications. Learn More -
Meinl Byzance 21" Double Down Crash-Ride
BYZANCE DARK
The Matt Halpern Signature Double Down Crash-Ride is a versatile and dynamic, hand-hammered cymbal which fully functions as both a ride and crash when needed. Plus, it features a powerful and cutting bell to punch through a full band mix. Because this cymbal opens so easily, it is a fantastic choice for crash-riding and big single crash accents. The combination of the dark, unlathed top and lathed bottom creates a unique blend of sustain and control. Additionally, some light sandblasting on top reduces the overtones for a decay that quickly gets out of the way.
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“I needed this cymbal to be extremely dynamic in that it was loud enough to pierce through the intensity of Periphery’s sound, but also decay quick enough to not overpower the vocals or other instruments while performing live. I’ve used it in live shows, multiple sized studio rooms, and different genres, and I can confidently say, it does exactly what I hoped for in each of those settings.”